Realistic look, as the name implies, is a principle that relates to reality, or perhaps the actuality of something. In film, the realism being a style does not imply that what is going on in the film is true to real life, although more the fact that techniques utilized while recording made it seem real. Documentary films are the closest into a truly realistic depiction of life, with actual people and incidents, however these are generally not the only films that deal with realism. In Thomas Fleck's film, Half Nelson (Ryan Fleck, USA, 2006), a realist style is used as a means of portraying the struggles of drug abuse, the demise of idealism being a lifestyle, plus the perception of hopelessness for lifetime in general. All of which are themes evident throughout the motion picture and can be symbolized through realist styles. Lengthy takes, mainly long and medium shots, use of modern-day, true to life subject matter, vernacular conversation and other tactics help to show the signal of realism as a design throughout the film.
50 percent Nelson is all about an eighth grade record teacher named Dan Dunne, played by simply Ryan Gosling, who functions at a bad, inner city institution wanting to interact with his college students on an perceptive level. His weakness is his crack addiction and perhaps alcoholism, often spending overdue nights in bars and motel areas with many different women. Drug abuse is frequent throughout the film, showing many scenes with drug use in their whole. When among his students, Drey (Shareeka Epps), moves in about him in the locker room moments after smoking split, with the vile still in hand, the confrontation is illustrious. With much focus on their particular facial expressions using close-up shots and an unsteady camera, the discomfort displayed by Dunne is incredibly clear as well as the concern revealed by simply Drey. Realist style is definitely evident below because of the depth of the scene: As Giannetti and Leach claim, when the scenes will be powerful, strong, or vibrant they appear real, if they have been fabricated. Furthermore, that they claim that with realism, " the camera is regarded as essentially a saving mechanism instead of an significant medium in its own rightвЂќ (2005: 364). This creates the idea that the drug is actually affecting Dunne and that the depanneur is just presently there to witness it.
The art of realistic look in this film allows for the audience to view the life span of a drug addict in the addict's point of view. Dunne's everyday life is described and his constant need for drugs to get through everyday is emphasized. The neorealist movement, an Italian motion stressing to see the world by a moral position, states that " a compassionate point of view and a refusal to make facile moral decision (Giannetti and Leach: 2006: 366)вЂќ are incredibly important to a movie, and that the " ordinary plus the everyday would be the main organization of cinemaвЂќ (2005: 367). Since this is a concept, 50 percent Nelson exemplifies this by using showing the actual: without adding any kind of fascinacion to the views or character types, the audience can easily feel psychologically for Dunne as opposed to moving judgment based upon his lifestyle. " I am sure that the film medium is the most suitable and effective technique of presenting the hazards of medicine abuseвЂќ (Wright: 180). Dunne is a crack addict, who is deemed being unacceptable by society, but the onlooker can understand associated with what he can going through since the actuality with the situation arouses emotion from the audience. Even though this film is not just a documentary on a true drug addict, the realism presented gives the impression that it is, actually authentic. While Armes says, " film is an extension of grayscale white picture taking and denies the film any possibility other than that of recording realityвЂќ (1971: 20). Dunne can be described as drug abuser and the film is depicting that through realist style; in the film it is a reality.
When dealing with realism and realness in life, the actual events that have taken place determine the extent of this reality. The idea of idealism goes against this...
Cited: Armements, Roy. (1971). Patterns of Realism. London England: The Tantivy Press.
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Giannetti, Paillette and John Leach. Understanding Movies. Barcelone: Prentice-Hall Incorporation, 2002.
Offer, Barry T. " 3rd party Film-Road MoviesвЂќ. Schirmer Encylopedia of Film. Toronto: Thomson Gale, 2007.
Wright, M. D. " Drug Abuse: A Health Education ApproachвЂќ. Overall health Education Diary 1 1969; Vol. twenty-eight: pp171-181 Scar. 2007